I remember the year the Tsunami hit. It was the early 2000s, and we were in primary school. Suddenly we all had to discuss what a Tsunami is, why and how it happens, and how many people had died versus how many had survived. We were astounded at the determination of that tide, and the powerlessness of those running from it, weak in the face of such a frightening and mighty moving body of water.
But destruction is not water’s only expression. In thinking about Msaki’s latest offering, Zaneliza – How the Water Moves, I had this – the strength of water, and how it can take on a life of its own, and even (joy!) give you life – foremost in my mind.
So I called her up and we had a young chat about “loss, hope and the wave-like rhythms in between those two states of being”.
Dusty: Cool! How are you?
Msaki: I’m good. I’m (pauses) hectic. I’m trying to leave for Cape Town so I’m trying to wrap up things today. And I need a PA, so I’m tryna put out an ad.
Dusty: I was actually wondering, how do you survive? I hate admin, personally, and I’m like ‘How does she survive, how does she raise a baby, be a wife, be an artist –’
[Msaki is an independent artist and does all her own management and bookings through her company, One Shushu Day Artistry. She’s basically superwoman. Jokes. But close 😉 She has also been featured on popular house tracks.]
Msaki: Am I surviving?
Msaki: I’m up between 3 [AM] and 5 [AM], doing my stuff, like I said.
Dusty: Ja you can’t get me up at that hour for anything, except if the house is burning.
Msaki: (laughs) Ja that’s my time. I actually wrote a song this morning because I was just like uh-uh, need to block off all the nonsense of the admin that’s creeping up and I just had to sing.
Dusty: Yeah. (pause) Okay well the last time I wrote about you, I wrote about the EP [Nal’ithemba], this was when it had just come out –
Msaki: I love that blog post!
Msaki: Ja, EP indala mfondini, what was it – like 2013?
Dusty: Yeah it was 2013, I remember because I was listening to it a lot in my last year at Rhodes.
[The EP sold over 3000 copies – all independently. Msaki plays for mostly smaller audiences, and prefers to connect with listeners this way. Her latest project was crowd-funded largely in part by her network of supporters, people she has met and connected with over the years, musicians and music-lovers alike, her “Golden Circle”.]
Msaki: For some reason when you’re playing to smaller crowds, it’s easier for people to want to buy at the end of the show, ‘cos they really get to connect, you know? Like I’ll do shows in someone’s lounge for 60 people, and almost everyone will walk out with the EP. Stuff like that happens, because it’s difficult to hide your soul, it’s difficult to hide the message [in that atmosphere]. The proximity physically also lends itself to a proximity spiritually because people are examining you from up close and the energy is right there. It almost beckons you to share the essence of the music more. I find that in small gigs I’ve got less disclaimers, I’m less stressed about what people think, you know? But in the festival gigs I’m always like, ‘Oh my gosh – are people bored? Am I playing enough upbeat songs?’ and I’m wondering if they’re not twiddling their toes waiting for Zahara.
Dusty: (laughs) So the message of the EP [the first offering] was hope and love – what’s the message of this [album]?Is it resistance, water …?
Msaki: Oh man (pause). I didn’t realise how much loss I was processing through this album, and trying to figure out how you express or share that without it being full of despair. Just thinking of the waves coming in and the lapses in between and the ebb and the flow – there’s something about the water, cleansing, that made the loss bearable. So the theme of hope is always there, it seems like it will be a central theme to all my work. At the same time this album…it kinda like leaves you in the middle of the sea there bobbing wondering if a rescue mission is coming or not, you’ve gotta sorta figure it out for yourself. (laughs)
Msaki: It’s more real life. There is a song full of hope but it’s also like, ‘What next? Where do we go from here? And what do I do with all the stuff that’s sore? It’s asking more questions, and I guess I’m imperfectly processing some of the things that make me sad about being young, about being in this country, about the reality of losing people and the reality of losing dreams and having to pick yourself up and do another day when things aren’t working out.
Dusty: The line “Living water for the war over your heart/ Waterfall” [from Weight (for the war] stuck out to me, and it gave me a sense of watering in your life, watering the dry spaces, watering the dryness.
Msaki: If you listen to the pressing of a waterfall when you’re right there against it, you can’t mistake the power that’s there. Continuing from the EP; even using the water metaphor, I spoke about how “You are not my strength/ You rock the cliff, the edge, the drop, my landing of love”, I almost pictured myself jumping into a waterfall, like free falling into a waterfall, when I wrote that. If you think you’re jumping from the cliff into water (and the water is meant to be a metaphor for love), you’re mistaken because you’re standing on love, the rock is love, the cliff is love, the water is love, the great force around you when you’re in the water…that was when I decided to become a musician full-time because I realized that grace had been covering me the whole way and it will continue to do so, and that love is ready to meet me if I take the leap. So that water theme extends itself into this album, but now it’s looking at the different qualities of water and also what that speaks to my heart. Waterfall, nyani – you realise that God is fighting for you. There are clues that are telling you this all the time. You’ve got your own inner turmoil but there’s an outer fight that also manifests itself on the inside. But there are so many clues on the outside saying ‘Look around, keep going’. That whole line, that’s kind of where it’s from. The waterfall was a very obvious sign that love is fighting for me. The power, the rushing noise, and…thing of a war cry. Hence that line that you’re talking about.
[Weight (for the war) is the first single off of the new album. It begins with Msaki chanting the words “FRIEND FIRE FREEDOM FEEL/ WISDOM WONDER WORRY WISH/ BLESSING BURDEN BROTHER BREATHE/ WAIT WAIT WAIT WEIGHT” acapella. In later verses, she changes the last line to the refrain, “WADE WADE WADE WADE”. The pause after the acapella intro is followed by a guitar playing a note suspended over a bar as she sings about the blues. Enter the drum, which together with the chorus, creates a marching sound that increases the urgency of the song. As it progresses, more instruments are layered in, until the point when the song reaches its dramatic turn, ushered in by a stripping back of all the instruments save for the urgent drum, and the subsequent introduction of a soaring orchestration. By the time my favourite line, “LIVING WATER FOR THE WAR OVER YOUR HEART/ WATERFALL” is sung; the battle has raged, and the war –punctuated by the rousing, rallying cries “ZIYADILIKA IZINDONGA!” and “MAKULIWE!” – is steady on the way to victory. An earnest ‘call to arms’ that’ll rouse the faith of even the most doubtful Thomas. If you haven’t already, listen to it below.]
Msaki: Can you hear Kwanda? She’s trying to pull off my ears, can you hear her in the background?
Dusty: (laughs) Yes I can hear her with her little sounds every now and then.
Kwanda: *indistinguishable baby talk*
Dusty: (laughs) She’s so cute.
Msaki: Hayi sana ubusy ubusy ubusy.
Dusty: (laughs) I have one more question. You were saying [elsewhere] that it is hard in the music industry, to keep the message central, to not get distracted by the machine. What are the things that you do to remind yourself that the message is important, and to keep the message intact inside of you?
Msaki: First thing is to surround yourself with a community that isn’t afraid to point out your blind spots to you. I’m in an industry where ego is king, and depending on who you’re working with, that kind of stuff can become more apparent than the inner journey. If I spend my time with like-minded people that know what music is for, and have a heart for artistry and creativity, and community, then I think I’m in a safe space to go explore, to go to different places and come back and know ba kukhona abantu that are gonna be able to tell me that I’m going astray. That’s sort of the outer section. But now…Like this morning I had to wake up at three and fight for my own union, you know? Because that’s what music started as for me – it started as a way of communion, a way of communing with myself and with God. It’s a space where I can also listen for what song is being played to me. It’s so easy to stumble into every day and completely be absorbed by your To Do List and everything that you’re chasing as well, and things like trying to organize an event for a friend. All those things can still be good and you’re busying yourself with things that are good, but it still might mean that you’re distracted and you’re missing out. Sometimes I need to reset, to listen to God even more than myself. And sometimes these songs are not even to be shared, they are just for me to get something, the things that I need to meditate on and think about and acknowledge as truth for myself. Especially with so many messages that are telling us that we’re worthless, that we’re unlovable – that’s pretty much a very strong message out there. ‘You’re only good as your next this…’ There’s so many things, and I have to fight for a space that’s more real, and that’s where I’m writing from. Uhm, I don’t really think there’s anything wrong with writing from a point of confusion, or from a point of being hurt, or processing the stuff that’s out there, I think it’s really important; but my reality, wholeheartedly, should come from the secret place, or the place where I’m quiet. (laughs) I don’t know how to say some of these things, because even that, I’m exploring it through my music.
Dusty: (laughs) It makes sense. Thank you.
*This conversation has been edited for clarity and brevity.
*Zaneliza – How the Water Moves, will be available in stores April 16th, 2016. If you struggle to find a copy, email email@example.com to inquire.
Love and warm waves,
“The tides are in our veins.” ― Robinson Jeffers
“Though I walk through the valley low, I’ll fear no evil. By the water, fill my soul, no matter where I go.” ― SUTRA, The Water
“For whatever we lose (like a you or a me),
It’s always our self we find in the sea.”
― E.E. Cummings, 100 Selected Poems