Ubuhle bendoda: on the beauty of a black man

The Black man is a beautiful thing. This assertion is a declaration of faith; because every day I am told that there is no hope for him – in the news, by the testimony of others, by media. I need to believe against hope that he is more than a burglar, an abuser, a lazy man, a rapist. This assertion is a reminder to myself that my Brothers are beautiful, despite the shame that has haunted them through the ages.

Yes. Indian, Chinese etc men are all God’s children too, but I write about the Black man now because he is the one I had lost faith in. He is the one I believed was built too weak to love. He is the one history saw systematically abused and de-humanised.

During the National Arts Festival I had the honour of sitting through the amazing Sibongile Khumalo’s concert, Reflect. Celebrate. Live.  at the Guy Butler Theatre in Grahamstown. The concert was the kick-off of a tour meant to look back on her journey as a singer and actress, to celebrate her achievements, and to appreciate those who have brought her through in her life. She has an impressive career spanning many years (it’s been two decades of a professional career), and as the “First Lady of Song” of South Africa, she has made a name for herself as an outstanding, talented, skilled musician to trump all others. Anyway, the concert was interspersed with anecdotes from her childhood and young adulthood; inlcuding stories of her family, her growing pains as a musician, and her lessons along the way.

One of my favourite moments of this concert came when she described going with her father to visit the homestead of Princess Constance Magogo Sibilile Mantithi Ngangezinye kaDinuzulu (1900–1984); composer, poet, singer, and authority on Zulu traditional music; in her youth. [click here to listen] She tells how she never knew, back then, sitting with Princess Magogo on the stoep of her hut, that she was “on a date with destiny”. She later represented Princess Magogo in an operatic role portraying the Princess’s life, masterfully written by Professor Mzilikazi Khumalo. uMam Sibongile Khumalo told how, as she sat at the feet of Princess Magogo, learning songs and watching her play her traditional instrument; she mused over many things, including that age old saying, “ubuhle bendoda zinkomo zayo”. Directly translated, and the Zulus will correct me if I am wrong here, the saying means that “the beauty of a man is his cattle”.

Before that evening I had always dismissed this adage, regarding it as what I had deemed an indication of the emphasis on material goods to measure the worth of a man. I could not have been more wrong.

In the days of old, when an African man was in possession of cattle, he indeed was considered a beautiful thing. To herd cattle requires discipline, persistence, cautiousness, and hard work. A man who had healthy cattle was seen as beautiful because of the implication of that possession. Seen through those eyes, the beauty and honour of a man was in his ability to care for something more than he did himself, his ability to commit to discipline, to persistence, and to hard work. The beauty of a man was in the sweat of his brow.

In a world that is overwhelmingly misogynist, it’s hard to believe sometimes, that there are still men of honour amongst us. It’s even harder to believe that there are Black men of honour who exist. But hearing uMam Khumalo speak about her encounters with Princess Magogo, learning history from her remarkable father (Professor Mngoma, who was a historian), and hearing her sing one of the songs from the Princess Magogo opera, reminded me that indeed, the Black man is not all vile and villainous.

As she burst out in song, singing about ubuhle bendoda, my heart swelled anew with pride and respect for him.

One of the best music bands to emerge from the South African live music scene in the past decade has to be the indie-afro-soul-jazz band The Muffinz. A mixture of various musical genres thrown together into a delicious mix (hence the name “The Muffinz”), they are not only five guys with guitars and a set of drums, they also happen to be immensely talented, skilled, and well, easy on the eye.

What I love about their music, besides their skill and talent, is their socially conscious lyrics. These dudes aren’t just packing “baby, baby, baby” into three minutes of a song, they are commenting on the socio-political issues of our day.

Umsebenzi wendoda (translated: the work/duty of a man), a song about single mothers who raise strong Black men in a society that is unkind to them, is another song which made my heart appreciate anew the beauty of the Black man. Every time I hear the song I feel like breaking into ukuxhentsa, or a Zulu dance.  Anyway, the song was written as an ode to their mothers, many of whom had to raise them in the absence of their fathers, in a society that considers raising men to be the work of a man yet provides few positive male role models.

During the National Arts Festival at Radio Grahamstown. theDustySoul with members of The Muffinz and the Cue Radio/Fest Focus.

The song is a tribute to single mothers, and journeys through her sacrifices, waking early and toilling all day to put a meal on the table. It speaks about how their mothers can finally rest, because the load she carried alone is lessened now that her son has grown into the young man she always hoped he would.

The duty of a man is to maintain his honour. Can’t forget the image in my mind from Ben Okri’s short story, The Secret Castle, in which he describes one of the characters thus, “He looked like the word ‘honour’, in ragged clothes”. No matter his position in society, the Black man has especially the duty to respect himself and others and to maintain his honour. I believe in you, Brother, against what I see to the contrary you are Black Gold and I believe in you. And to paraphrase Garvey, there is no shame in your blackness: blackness is a badge of honour.

Strength, Pride, Honour,

DustySoul

“Hold your head as high as you can/ High enough to see who you are, little man/ Life sometimes is cold and cruel/ Baby no one else will tell you so remember that /You are Black Gold…But you’re golden, baby/ Black Gold with a diamond soul/ Think of all the strength you have in you/ From the blood you carry within you/ Ancient men, powerful men/ Builders of civilization… Baby no one else will tell you so remember that You are Black Gold, Black Gold/ You are Black Gold…”

                                   –     Esperanza Spalding, “Black Gold”

“The Black skin is not a badge of shame, but rather a glorious symbol of national greatness.”

                               – Marcus Garvey

Sounds from the ground

I have found heaven on earth. It came enclosed in a plastic casing and wrapped with a thin layer of plastic. It has four corners but its contents encircle my heart: it is The Soil’s self-titled debut album.
A friend introduced me to this three member a cappella group last year, back when three was four and the group only had underground releases and various performances under their belt. The group consists of brothers Ntsika and Phindo Ngxana, and the soulful Buhle Mda. They name God as a fourth Member. Samkelo Mdolomba, who can be heard throughout the album, left to pursue other music ventures.
After seeing their performance on Late Night with Kgomotso (SABC 2), I searched for their music wherever I could find it: youtube, friends of friends, wherever! I kept my ear to the ground, hoping to hear the sound these Standard Bank OVATION Award winners would make.

The 11 track album features favourites their fans know from their mixtapes and performances, including “Joy”, the popular “Sunday” and the soul-stirring traditional Setswana/Sotho hymn, “Sedi Laka”. It was a little disappointing to me that they didn’t include more tracks (11 is way too short!) and more new material. Despite this and the fact that they didn’t include my favourite, “I Found Love”, the album’s been on repeat since I bought it! A nice surprise was uTumi’s (yes, from the Volume) cameo appearance at the end of “Baninzi”. Tumi Molekane has also featured them in a performance on SABC 1’s Live, and word has it that he plans to shoot a music video for a song he recently recorded with them. The trio takes on a playful theme in the township ditty children usually sing, “Bhomba”, about a rabbit and a jackal’s love proposal to it. “Umubi ufana nengulube eb’sweni” (you are ugly, your face looks like a pig’s face) one animal sings to the other. Other themes include family, loneliness, and of course, love.
One can hear influences of jazz, soul, afro-jazz and gospel coming through in their music. They have fused different genres and voice techniques to create a genre they refer to as “kasi soul”.
After hearing “Impossible” for the first time, which was one of the songs they performed at the National Arts Festival in Grahamstown, a friend said, “Wow! These guys are too talented. I just wanna go and write music now!” Their music does that. Like Lauryn Hill sang all those years ago, “Music is supposed to inspire.” Their performances of that song, “Impossible”, are particularly impressive as the members use their voices to create the sound violins make. It’s crazy good. (See video here)
It’s artists like these that inspire me to invest in local music. I can’t wait to see them live at the Grahamstown Arts Festival.
Rating: ♥ ♥ ♥ ♥
Please and thank you,
Dusty Soul
“…decomposing the keys of pianos and guitars, we are reaping what the tapping of feet have sown. As we flow out from the blows of trumpets and bounce from the strums of cellos, moving through sounds in which music was found – rooted in the belly, of The Soil.” – Portia Munama, “Intro” from The Soil’s self-titled debut album